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Temple of Zeus at Olympia. In the center stands Zeus watching over Pelops to his right and Oenomaus to his left. Beside them are two female figures, followed by hithe chariots about to be raced on. In the corners of the pediment are male figures, presumably spectators, who are sitting or lying down. [4]
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
The Parthenon's west pediment depicted the contest between Athena and Poseidon over Attica and the east pediment the birth of Athena. [15] Classical archeologists since Johann Joachim Winckelmann's Geschichte der Kunst des Alterthums (published 1764) have recognized Greek pediment sculpture, in particular the pediments of the Parthenon, as the standard of the highest-quality art in antiquity. [16]
The east pediment originally contained 10 to 12 sculptures depicting the Birth of Athena. Most of those pieces were removed and lost during renovations in either the eighth or the twelfth century. [91] Only two corners remain today with figures depicting the passage of time over the course of a full day.
The east pediment represents Pelops’s race against Oinomaos for the hand of Hippodamia, seemingly at the moment of the oath of the two contestants before Zeus himself. [6] On the west we find Theseus and Perithoos fighting the Centaurs at the point of greatest violence in contrast to the instant of duplicitous tension on the east.
The east pediment is the only surviving pediment of the Siphnian Treasury and depicts a famous Delphic theme. In the center of the pediment there is Zeus (other sources claim it is Athena or Hermes), on the left Apollo and on the right Heracles. The two young gods are competing for the Delphic tripod, and Zeus in the middle is trying to ...
Zeus flanked by Oenomaus and Pelops from the centre of the east pediment of the Temple of Zeus at Olympia, carved from Parian marble between 470 and 457 BC; the sculptural programme is described at length by Pausanias (V.10) ; the defeat of Oenomaus by Pelops provided a "legendary parallel" for the ousting from control of the festival of the ...
As the files converge on the east frieze we encounter the first women celebrants E2–27, E50–51, E53–63. The priestesses carry the sacrificial instruments and paraphernalia including the phiale ( phial or jug), oinochoai (wine jars), thymiaterion ( incense burner), and in the case of E50–51, evidently they have just handed the marshal ...