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The Caine Mutiny is a 1954 American military trial film directed by Edward Dmytryk, produced by Stanley Kramer, and starring Humphrey Bogart, José Ferrer, Van Johnson, Robert Francis, and Fred MacMurray. It is based on Herman Wouk's Pulitzer Prize-winning 1951 novel of the same name.
In 1954, she adopted the stage name of May Wynn [6] after she played a character of that name in The Caine Mutiny (1954). Wynn later was cast as the lead actress in the feature films The Man Is Armed and The White Squaw (both 1956), and in Jack Webb's NBC television series, Noah's Ark, in which she played opposite Paul Burke and Victor Rodman.
In 1954, Columbia Pictures released the film The Caine Mutiny, starring Humphrey Bogart as Queeg in a widely acclaimed performance [12] that earned him the third and final Academy Award nomination of his career. After the novel's success, Wouk adapted the court-martial sequence into a full-length, two-act Broadway play, The Caine Mutiny Court ...
Johnson next teamed with Gene Kelly as the sardonic second lead of Brigadoon (1954). [5] He had the lead in The Last Time I Saw Paris (1954), his last film for MGM. He had a five-year contract with Columbia to make one film a year. [16] Johnson's critically praised performance in The Caine Mutiny (1954) was his most notable post-MGM role.
The latest adaptation of Herman Wouk's 1953 stage play is a tightly concentrated courtroom drama, well acted by Kiefer Sutherland, Lance Reddick and Jason Clarke.
After The Caine Mutiny, Francis was voted one of Screen World's "Promising Personalities of 1954". Capitalising on his rising star, Francis was cast in They Rode West (once more alongside Wynn), followed by The Bamboo Prison and John Ford's The Long Gray Line. In Ford's film, Francis was given third billing in the screen credits, indicating ...
The Caine Mutiny Court-Martial — the last feature film that William Friedkin directed, before the Academy Award winner passed away in August — is skipping theaters and instead will exclusively ...
This new “Caine Mutiny” doesn’t do that — it has a greater sympathy for Queeg’s ideology — and that ties into the side of Friedkin that was skeptical of liberalism, anti-PC, maybe a ...