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Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians.
Johnson's emotive vocals, combined with his varied and masterful guitar playing, continue to influence modern blues and popular music performers. The Chicago Tribune ' s Greg Kot wrote that The Complete Recordings, along with Clapton's The Layla Sessions (1990), survive as "monuments of 20th Century music that will rarely, if ever, be equaled ...
Label of Johnson's "Terraplane Blues" on Vocalion Records, his first and most successful single American blues musician Robert Johnson (1911–1938) recorded 29 songs during his brief career. A total of 59 performances, including alternate takes, were recorded over a period of five days at two makeshift recording studios in Texas.
The documentary takes a look at the short, mysterious life of Robert Johnson, the blues singer, songwriter and musician who has influenced later generations of musicians. The documentary title comes from the myth about how he made a deal with the Devil at a crossroads in rural Mississippi to achieve musical success. [4] [5]
"Cross Road Blues" (commonly known as "Crossroads") is a song written by the American blues artist Robert Johnson. He performed it solo with his vocal and acoustic slide guitar in the Delta blues style. The song has become part of the Robert Johnson mythology as referring to the place where he sold his soul to the Devil in
Prior to Johnson's recording, the phrase "hellhound on my trail" had been used in various blues songs. [1] Sylvester Weaver's "Devil Blues", recorded in 1927 contains: "Hellhounds start to chase me man, I was a running fool, My ankles caught on fire, couldn't keep my puppies cool" [3] and "Funny Paper" Smith in his 1931 "Howling Wolf Blues No. 3" sang: "I take time when I'm prowlin', an' wipe ...
Robert Johnson (c. 1583 – 1633) was an English composer and lutenist of the late Tudor and early Jacobean eras. He is sometimes called "Robert Johnson II" to distinguish him from an earlier Scottish composer. [citation needed] Johnson worked with William Shakespeare providing music for some of his later plays.
Wheatstraw's influence was enormous in the 1930s. Perhaps the most obvious example of his impact is in the lyrics and vocal stylings of Robert Johnson, often considered the most important blues figure of the era. Many of Johnson's recordings were reworkings of songs by other popular artists of the time, and he drew heavily from Wheatstraw's ...