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Moreover, the painting uses Mt. Geumgang (金剛), the spring name of Mt. Diamond, for its title, while the poem uses Mt. Gaegol (皆骨), the winter name of the mountain. A better evaluation of the poem is to consider it as an homage written in winter 1794 (another gap-in year) by the custodian of the work.
Martha Bonnie Diamond (May 1, 1944 – December 30, 2023) was an American painter. Her paintings first gained public attention in the 1980s [1] and are included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, New York, and many other institutions.
Detailed view of the recreated great Golden Fleece of king Louis XV of France. Below the 107 carats (21.4 g) spinel Côte de Bretagne hangs the French Blue diamond and the fleece itself, set with hundreds of yellow diamond replicas. The Tavernier Blue was the precursor diamond to the Blue Diamond of the French Crown (aka the French Blue).
The art society in Pau, France, held local art exhibitions that in 1876 and 1877 showed works by prominent artists such as Courbet, Manet, and some of the Impressionists. Degas participated in these exhibitions and was able to sell one of his works in 1876.
Hester Diamond (December 10, 1928 – January 23, 2020) was an American art collector, dealer, and interior designer. With her first husband, Harold Diamond , she amassed a collection of Modernist art that the New York Times described as "astonishing".
Jessica Diamond (born June 6, 1957) is an American conceptual artist who is known for her wall drawings and installations. She has explored themes of anti-commercialism [ 1 ] and social and sexual roles [ 2 ] in her artworks.
He also traveled to the Holy Land, where he painted his monumental work Flevit super illam (painting) ; work for which he received numerous medals including Madrid in 1892, Chicago in 1893, Barcelona in 1896 and Paris in 1900. In 1893 and 1894 Simonet traveled to Morocco as a war correspondent for the magazine La Ilustración Española y Americana.
Diana the Huntress (French: Diane chasseresse) is an oil-on-canvas painting by an anonymous artist of the School of Fontainebleau. Painted in about 1550, it is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana. [1] It is in the Louvre, which acquired it in 1840. [2]
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