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The Electric Kool-Aid Acid Test is a 1968 nonfiction book by Tom Wolfe [2] written in the New Journalism literary style. By 1970, this style began to be referred to as Gonzo journalism, a term coined for the work of Hunter S. Thompson.
Kesey took the parties to public places, and advertised with posters that read, "Can you pass the acid test?", and the name was later popularized in Tom Wolfe's 1968 book The Electric Kool-Aid Acid Test. Musical performances by the Grateful Dead were commonplace, along with black lights, strobe lights, and fluorescent paint.
Cool Breeze may refer to any of the following: . Cool Breeze (rapper), born 1971 Cool Breeze, 1972 MGM blaxploitation film; Cool Breeze (real name Roger Williams), a member of Ken Kesey's Merry Pranksters featured in the 1968 Tom Wolfe book The Electric Kool-Aid Acid Test
Wolfe began his career as a regional newspaper reporter in the 1950s, achieving national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (an account of Ken Kesey and the Merry Pranksters) and two collections of articles and essays, The Kandy-Kolored Tangerine-Flake Streamline Baby ...
This trip, described in Tom Wolfe's The Electric Kool-Aid Acid Test (and later in Kesey's unproduced screenplay, The Furthur Inquiry), was the group's attempt to create art out of everyday life and to experience roadway America while high on LSD. [35]
The Merry Pranksters were followers of American author Ken Kesey.Kesey and the Merry Pranksters lived communally at Kesey's homes in California and Oregon, and are noted for the sociological significance of a lengthy road trip they took in the summer of 1964, traveling across the United States in a psychedelic painted school bus called Furthur, organizing parties, and giving out LSD. [1]
The bus featured prominently in Tom Wolfe's 1968 book The Electric Kool-Aid Acid Test but, due to the chaos of the trip and editing difficulties, footage of the journey was not released as a film until the 2011 documentary Magic Trip.
Others contest the characterization of Millbrook as a party house. In The Electric Kool-Aid Acid Test, Tom Wolfe portrays Leary as using psychedelics only for research, not recreation. When Ken Kesey's Merry Pranksters visited the estate, they received a frosty reception. [70]