Search results
Results from the WOW.Com Content Network
Conserved signature inserts and deletions (CSIs) in protein sequences provide an important category of molecular markers for understanding phylogenetic relationships. [1] [2] CSIs, brought about by rare genetic changes, provide useful phylogenetic markers that are generally of defined size and they are flanked on both sides by conserved regions to ensure their reliability.
Le Chahut is an oil painting on canvas measuring 170 by 141 cm (67 x 55 in). Seurat employed a Divisionist style, with pointillist dots of color. The work is dominated by a color scheme that tends toward the red end of the spectrum, of earth tones that draw from a palette of browns, tans, warm grays, and blues, interspersed with not just the primary colors (reds and yellows), nor even with the ...
Wikimedia Commons, File:Georges Seurat - Le Chahut - Google Art Project.jpg Other versions This is a faithful photographic reproduction of a two-dimensional, public domain work of art.
Portrait of Seurat by Maximilien Luce. This is a list of notable paintings by Georges Seurat (2 December 1859 - 29 March 1891). He is a Neo-Impressionist painter and together with Paul Signac noted for being the inventor of pointillism. [1] The listing follows the 1980 book Georges Seurat and uses its catalogue numbers. [2]
The painting was Seurat's third major work treating the theme of the circus, after his Parade (Circus sideshow) of 1887–88 and Le Chahut of 1889–90. It depicts a female performer standing on a horse at the Circus Fernando (renamed the Circus Médrano in 1890, after its most famous clown).
Seurat completed the painting of Bathers at Asnières in 1884, at 24 years old. He applied to the jury of the Salon of the same year to have the work exhibited there, only to be rejected. The Bathers continued to puzzle many of Seurat’s contemporaries, and the picture would only be widely acclaimed many years after the artist's death (age 31).
Claude-Ambroise Seurat (10 April 1797 [1] or 4 April 1798 [2] – after 1833 [2]) was a freak show attraction from Troyes, France. He was known as "the anatomical man or the living skeleton" ( French : l'homme anatomique ou le squelette vivant ) due to his extraordinarily low body weight.
Place of creation: France : Object history: By descent to Mme. Seurat, the artist’s mother (died 1899), Paris, 1891; by descent to Emile Seurat, the artist’s brother; sold for 800 francs to Casimir Brû, Paris, 1900; given by him to his daughter, Lucie, Paris, 1900; Lucie Brû Cousturier and Edmond Cousturier, Paris; sold for $20,000 possibly through Charles Vildrac, Paris to Frederic Clay ...