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Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
There is no agreement that all art after modernism is post-modern. Contemporary art is the more-widely used term to denote work since roughly 1960, though it has many other uses as well. Nor is post-modern art universally separated from modernism, with many critics seeing it as merely another phase in modern art or as another form of late ...
Postmodern theory (PM) in anthropology originated in the 1960s, along with the literary postmodern movement in general. Anthropologists working in this vein of inquiry seek to dissect, interpret and write cultural critiques.
Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist after modernity. [nb 1] Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by ...
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Postmodern theatre emerged as a reaction against modernist theatre. Most postmodern productions are centered on highlighting the fallibility of definite truth, instead encouraging the audience to reach their own individual understanding. Essentially, thus, postmodern theatre raises questions rather than attempting to supply answers.
Salient features of postmodernism are normally thought to include the ironic play with styles, citations and narrative levels, [7] a metaphysical skepticism or nihilism towards a "grand narrative" of Western culture, [8] a preference for the virtual at the expense of the real (or more accurately, a fundamental questioning of what "the real ...
Critics argue that, by capturing the nonhuman world within its own conceptual domain, postmodern exerts precisely the urge toward mastery that it criticizes in modernity. Thus, postmodern cultural criticism deepens the modernist urge toward mastery by eliminating the ontological weight of the nonhuman world.