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Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
Beaded jewellery commonly encompasses necklaces, bracelets, earrings, belts and rings. Beads may be large or small; the smallest type of beads used are known as seed beads, these are the beads used for the "woven" style of beaded jewellery. Seed beads are also used in an embroidery technique where they are sewn onto fabric backings to create ...
[276] [277] Agnes Gray, Lady Home, surrendered a jewel with fifteen diamonds set in gold with white enamel and a pearl "carcat" necklace which together had been her security for a loan of £600 Scots. [278] The lawyer Robert Scott returned a "carcan" or garnishing, circled about with pearls, rubies and diamonds. [279]
During a Yemenite Jewish wedding, the bride was bedecked with jewelry and wore a traditional wedding costume, including an elaborate headdress decorated with flowers and rue leaves, which were believed to ward off evil. Gold threads were woven into the fabric of her clothing.
1870–1910: The Edwardian era saw a resurgence of pearl necklaces, in addition to a dog-collar style of necklace made of gold or platinum with inset diamonds, emeralds, or rubies. [4] The Art Nouveau movement inspired symbolic, abstract designs with natural and animal motifs. [6]
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