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One of the best known pieces is this table, with three drawers, whose top has a typical imperial Ming design with a central dragon and phoenix, symbolizing the emperor and empress respectively; the pair also appear on the drawer-fronts. The table-top measures 119.5 cm by 84.5 cm and the table is 79.2 cm (31.2 in) high.
The object is coated layer upon layer with thitsee and thayo to make a smooth surface, polished and engraved with intricate designs, commonly using red, green and yellow colors on a red or black background. Shwezawa is a distinctive form in its use of gold leaf to fill in the designs on a black background. [43] [44]
The lacquer, sap from the Toxicodendron vernicifluum lacquer tree that is native to China, is mixed with colourings, with the usual colours being red from cinnabar, by far the most common, black from carbon (probably Chinese ink and soot), [41] and a yellow or buff from orpiment, [42] which is liable to fade to a dark colour and is often now ...
Georgian japanned tin tea tray—severely worn—black lacquer and gilt made in Birmingham, UK. Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century.
The wood from Dalbergia odorifera and known commonly by the name "Huanghua li" (黄花梨, literally yellow flowered pear) or "Jiangxiang huangtan" (降香黄檀, literally fragrant yellow hardwood). This is one of the most valued and traditionally used hardwoods for Chinese furniture before its overharvesting from Chinese domestic sources.
The result is similar but softer than the Chinese or Japanese lacquer. Burmese lacquer sets slower, and is painted by craftsmen's hands without using brushes. Raw lacquer can be "coloured" by the addition of small amounts of iron oxides, giving red or black depending on the oxide. There is some evidence that its use is even older than 8,000 ...
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