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According to the Handbook of Tibetan Buddhist Symbols: The trinity of body, speech, and mind are known as the three gates, three receptacles or three vajras, and correspond to the western religious concept of righteous thought (mind), word (speech), and deed (body).
The Union of the Sun and Moon (Tibetan: ཉི་ཟླ་ཁ་སྦྱོར, Wylie: nyi zla kha sbyor) [1] is one of the seventeen tantras of the esoteric instruction cycle (Tibetan: མན་ངག་སྡེའི་རྒྱུད་བཅུ་བདུན, Wylie: man ngag sde'i rgyud bcu bdun) which are a suite of tantras known variously as Nyingtik, Upadesha or Menngagde within ...
Melong (Tibetan: མེ་ལོང, Wylie: me long; Sanskrit: ādarśa, darpaṇa) is a Tibetan term that means "mirror", "looking glass". The melong is a polyvalent symbol, divine attribute, and quality of the enlightened mindstream or bodhicitta.
Heruka in Yab-Yum form. On display at Gangaramaya Temple museum Tibetan book cover depicting Prajñāpāramitā Devi and Mañjuśrī in yab yum, late 13th century. Yab-yum (Tibetan: ཡབ་ཡུམ། literally, "father-mother") is a common symbol in the Tibetan Buddhist art of India, Bhutan, Nepal, and Tibet.
Other common Tibetan myths include Tibetan ghosts, this is often due to Buddhism and so there are many similarities to Indian ghost mythology. These include the hungry ghosts who are a symbol of greediness and unfulfillment of the tulpa which is a manifestation of high-ranking monks' wishes.
The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
Uchen script is a written Tibetan script that uses alphabetic characters to physically record the spoken languages of Tibet and Bhutan. Uchen script emerged in between the seventh and early eighth century, alongside the formation and development of the Tibetan Empire.
Backside of Tibetan 25 tam banknote, dated 1659 of the Tibetan Era (= 1913 CE).On the right, the four harmonious animals are represented. A popular scene often found as wall paintings in Tibetan religious buildings represents an elephant standing under a fruit tree carrying a monkey, a hare and a bird (usually a partridge, but sometimes a grouse, and in Bhutan a hornbill) on top of each other ...