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If you start a sentence with “You know what they say about…”, chances are you’re invoking an aphorism. But aphorisms don’t have to be oft-repeated statements you hear all the time or see ...
Aphorism inscribed over the entrance to the temple of Apollo at Delphi. Alexander cuts the Gordian Knot, (Jean-Simon Berthélemy) Γόρδιος δεσμός Górdios desmós "Gordian Knot" The Gordian Knot is a legend associated with Alexander the Great. It is often used as a metaphor for an intractable problem, solved by a bold stroke
The World in a Phrase: A Brief History of the Aphorism. New York: Bloomsbury. ISBN 9781608197620. Gopnik, Adam, "Brevity, Soul, Wit: The art of the aphorism" (includes discussion of Andrew Hui, A Theory of the Aphorism: From Confucius to Twitter, Princeton, 2019), The New Yorker, 22 July 2019, pp. 67–69.
List of Latin phrases (A) List of Latin phrases (B) List of Latin phrases (C) List of Latin phrases (D) List of Latin phrases (E) List of Latin phrases (F)
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Aphorismus (from the Greek: ἀφορισμός, aphorismós, "a marking off", also "rejection, banishment") is a figure of speech that calls into question if a word is properly used ("How can you call yourself a man?"). [1]
for the use of the Dauphin: Said of a work that has been expurgated of offensive or improper parts. Originates from editions of Greek and Roman classics which King Louis XIV of France had censored for his heir apparent, the Dauphin. Also rarely in usum Delphini ("into the use of the Dauphin"). ad usum proprium (ad us. propr.) for one's own use
A proverb [or proverbial phrase] is usually defined, an instructive sentence, or common and pithy saying, in which more is generally designed than expressed, famous for its peculiarity or elegance, and therefore adopted by the learned as well as the vulgar, by which it is distinguished from counterfeits which want such authority