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Doi Moi is the name given to the economic reforms initiated in Vietnamese in 1986 with the goal of creating a "socialist-oriented market economy". Some expected the nature of reforms might bring a more relaxing atmosphere for the general Vietnamese population to welcome Western and diasporic music.
Huỳnh Minh Hưng, commonly known by his stage name Đàm Vĩnh Hưng (born 2 October 1971 [citation needed]), often referred to by his nickname Mr. Dam, [citation needed] is a Vietnamese singer.
Trịnh Công Sơn (February 28, 1939 – April 1, 2001) was a Vietnamese musician, songwriter, painter and poet. [1] [2] He is widely considered to be Vietnam's best songwriter.
The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.
Quang Lê was born in Vietnam, 1975), with family roots from Central Vietnam in the City of Huế. [1] His Vietnamese accent is “Huế (central accent),” one of the main Vietnamese dialects in Vietnam, but he is able to imitate the southern accent, and he sings with a mixed accent.
Beginning in the late 1960s, band conga players began incorporating elements from folkloric rhythms, especially rumba. Changuito and Raúl "el Yulo" Cárdenas of Los Van Van pioneered this approach of the songo era. This relationship between the drums is derived from the style known as rumba. The feeling of the high drum part is like the quinto ...
Most salsa music is played with one of the son claves, though a rumba clave is occasionally used, especially during rumba sections of some songs. As an example of how a clave fits within the 8 beats of a salsa dance , the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.