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A depiction of the Plan of Salvation, as illustrated by a source within the Church of Jesus Christ of Latter-day Saints. In the theology and cosmology of Mormonism, in heaven there are three degrees of glory (alternatively, kingdoms of glory) which are the ultimate, eternal dwelling places for nearly all who have lived on earth after they are resurrected from the spirit world.
The poems seek to have a response, though it never comes, and the possibility of such a voice though absence is a type of prosopopoeia. In general, Coleridge's poems discuss the cosmic as they long for a response, and it is this aspect, not a possible object of the conversation, that forms the power of the poem.
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive.
Stained glass depiction of Joseph Smith's First Vision, completed in 1913 by an unknown artist (Church History Museum, Salt Lake City).. The First Vision (also called the grove experience by members of the Community of Christ) refers to a theophany which Latter Day Saints believe Joseph Smith experienced in the early 1820s, in a wooded area in Manchester, New York, called the Sacred Grove.
Remembering the fathers in heaven (or wherever you may believe they go after they pass) is important all the time—but especially on Father's Day! Some of the Father's Day quotes you'll read here ...
" Die Himmel rühmen des Ewigen Ehre" (The heavens praise the glory of the Eternal), Op. 48/4, is a composition for voice and piano by Ludwig van Beethoven, setting the beginning of Christian Fürchtegott Gellert's poem "Die Ehre Gottes aus der Natur" (The glory of God from nature), a paraphrase of Psalm 19.
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