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In the Byzantine Rite, whenever a priest is officiating, after the Lord's Prayer he intones this augmented form of the doxology, "For thine is the kingdom and the power and the glory: of the Father, and of the Son, and of the Holy Spirit, now and ever, and unto ages of ages.", [k] and in either instance, reciter(s) of the prayer reply "Amen".
The text of the Matthean Lord's Prayer in the King James Version (KJV) of the Bible ultimately derives from first Old English translations. Not considering the doxology, only five words of the KJV are later borrowings directly from the Latin Vulgate (these being debts, debtors, temptation, deliver, and amen). [1]
Godfrey Emanuel Lundberg (May 4, 1879 – January 8, 1933) was an accomplished engraver during the early part of the 20th century. He is most noted for his hand engraving of the Lord's Prayer on the tiny head of a gold pin that was displayed at the 1915 Panama–Pacific Exposition in San Francisco and won a gold medal in engraving.
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Another familiar doxology is the one often added at the end of the Lord's Prayer: "For thine is the kingdom, and the power, and the glory, forever and ever, Amen." This is found in manuscripts representative of the Byzantine text of Matthew 6:13, but not in the manuscripts considered by Catholics to be the most reliable. According to Scrivener ...
The oral prayer (the prayer of the lips) is a simple recitation, still external to the practitioner. The focused prayer, when "the mind is focused upon the words" of the prayer, "speaking them as if they were our own". The prayer of the heart itself, when the prayer is no longer something we do but who we are.
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Thérèse of Lisieux describes prayer as "… a surge of the heart; it is a simple look turned toward heaven, it is a cry of recognition and of love, embracing both trial and joy." [1] By prayer one acknowledges God's power and goodness, and one's own neediness and dependence.