Search results
Results from the WOW.Com Content Network
Cowboys: A Documentary Portrait is a 2019 documentary film directed by Bud Force and John Langmore. [1] The feature-length movie gives viewers a glimpse into the lives of modern working cowboys on America's largest and most remote cattle ranches - some of which are over one million acres and still require full crews of horseback mounted men and women to tend large herds of cattle.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
The Great American Cowboy is a 1974 documentary film about the sport of rodeo. The film, which was directed by Kieth Merrill , [ 5 ] is notable for its use of experimental editing and camera techniques. [ 6 ]
Carry On Cowboy is a 1965 British comedy Western film, the eleventh in the series of 31 Carry On films (1958–1992). [ 1 ] [ 2 ] It was the first film to feature series regulars Peter Butterworth and Bernard Bresslaw .
Concrete Cowboy is a 2020 American drama film directed by Ricky Staub from a screenplay by Staub and Dan Walser. The movie is based on the novel Ghetto Cowboy by Greg Neri , which was inspired by the real urban African-American horseriding culture of Philadelphia , and in particular, the Fletcher Street Urban Riding Club .
A video of a rescue dog determinedly asking for cuddles has done just that, winning hearts and becoming a viral Instagram hit. The heartwarming interaction has also sparked a flood of adoration ...
Joe Brown of The Washington Post said, "The Cowboy Way is a weak rehashing of the Crocodile Dundee gimmick: two modern-day cowboys taming the Wild East. The tired formula may still have some life left in it, but not this 'Way'. This dud ranch is saddled with the charisma-free teaming of dumb guns Woody Harrelson and Kiefer Sutherland." [4]
Drugstore Cowboy is a 1989 American crime drama film directed by the American filmmaker Gus Van Sant. Written by Van Sant and Daniel Yost and based on an autobiographical novel by James Fogle, the film stars Matt Dillon, Kelly Lynch, Heather Graham and William S. Burroughs. It was Van Sant's second film as director.