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Both male and female versions changed style and diverged in the middle Byzantine period, the female later reverting to the new male style. Apart from jewels and embroidery, small enamelled plaques were sewn into the clothes; the dress of Manuel I Comnenus was described as being like a meadow covered with flowers.
Empress Theodora with her retinue. Mosaic of the Basilica of San Vitale in Ravenna, VI century. The situation of women in the Byzantine Empire is a subject of scientific research that encompasses all available information about women, their environments, their networks, their legal status, etc., in the Byzantine Empire.
[38] [44] Shorter dresses were followed with long draped gowns. [10] Some patterns were made to evoke the look of marble. [37] Embroidery of tigers and lions on some items may have been drawn from traditional Tibetan art or from Byzantine culture. [45] [46] The shoes were elaborately sculpted with various motifs including ivy, skulls, and wings ...
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
Clothing worn in the Byzantine Empire (Eastern Roman Empire) during the late fifth to mid-fifteenth century CE. For clothing worn in the earlier Greek and Roman eras of classical antiquity , see Category:Greek clothing and Category:Roman-era clothing .
[T]he way they dress is astonishing: they wear brightly coloured and embroidered shirts, with trousers called braccae and cloaks fastened at the shoulder with a brooch, heavy in winter, light in summer. These cloaks are striped or checkered in design, with the separate checks close together and in various colours.
The Byzantine dress changed considerably over the thousand years of the Empire, but was essentially conservative.The Byzantines liked colour and pattern, and made and exported very richly patterned cloth, especially Byzantine silk, woven and embroidered for the upper classes, and resist-dyed and printed for the lower.
Woman wearing a one-piece bliaut and cloak or mantle, c. 1200, west door of Angers Cathedral.. The bliaut or bliaud is an overgarment that was worn by both sexes from the eleventh to the thirteenth century in Western Europe, featuring voluminous skirts and horizontal puckering or pleating across a snugly fitted under bust abdomen.
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