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A [[contr afact]] is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
The ʻelepaio is the first native bird to sing in the morning and the last to stop singing at night; apart from whistled and chattering contact and alarm calls, it is probably best known for its song, from which derives the common name: a pleasant and rather loud warble which sounds like e-le-PAI-o or ele-PAI-o. It nests between January and June.
It is available for E-flat, B-flat, C and bass-clef instruments. It includes 60 pieces, transcribed by Ken Slone with proofreading assistance from Jamey Aebersold, [1] information about the records, and practice suggestions. The Charlie Parker Omnibook is published by Hal Leonard LLC. [2]
The band's debut album, It's a Beautiful Day, was produced by David LaFlamme in Los Angeles, California, and released by Columbia Records in 1969. It features tracks such as "White Bird", "Hot Summer Day", and "Time Is". The album reached number 47 in the U.S. charts [2] and number 58 in the UK. [3]
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
"And Your Bird Can Sing" is a song by the English rock band the Beatles. It was released on their 1966 album Revolver, apart from in the United States and Canada, where it instead appeared on Yesterday and Today. The song was written mainly by John Lennon and credited to Lennon–McCartney.
It is known as a challenging number due to its long, complex head and rapid chord changes, which feature an extended cycle of fifths (see Bird changes). Jazz educator Dariusz Terefenko has pointed out the speed and intricacy of "Confirmation's" "harmonic rhythm" (the rate and manner in which chords change underneath the melody), which he notes ...
Play ⓘ. Conventional progression or cadence without tritone substitution, i.e., NOT Tadd Dameron turnaround. Play ⓘ. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom", [1] derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major: