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Stephen Owen 'Li Po: a new concept of genius," in Stephen Owen. The Great Age of Chinese Poetry : The High T'ang. (New Haven Conn.: Yale University Press, 1981). ISBN 978-0-300-02367-1. Varsano, Paula M. (2003). Tracking the Banished Immortal: The Poetry of Li Bo and its Critical Reception (University of Hawai'i Press, 2003). ISBN 978-0-8248 ...
I alone, drinking, without a companion. I lift the cup and invite the bright moon. My shadow opposite certainly makes us three. But the moon cannot drink, And my shadow follows the motions of my body in vain. For the briefest time are the moon and my shadow my companions. Oh, be joyful! One must make the most of Spring.
The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...
Li Bai and Du Fu did meet and in fact Du Fu greatly admired Li Bai. In the introduction of Three Chinese Poets , Seth talks about the influence of translations on his life and work; that while sometimes he has been so moved by a translation that he learnt another language to read the original, he doubts that he would ever be able to do this as ...
His most famous work is the "Preface to the Poems Composed at the Orchid Pavilion" (Chinese: 兰亭序; pinyin: Lán Tíng Xù), the preface of a collection of poems written by a number of poets when gathering at Lanting near the town of Shaoxing for the Spring Purification Festival. The original is lost, but there are a number of fine tracing ...
Li's most famous and cryptic poem is arguably "Jin Se", or "Chin-se" (錦瑟) ("The Brocade Zither", also translated as "The Ornamented Zither" [12] or "The Exquisite Zither" [13]) (the title is taken from the first two characters of the first verse, as this is one of Li's "no title" poems) (original text and translation seen below), consisting ...
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On the surface, this poem is about the view and the landscape that Li Bai saw while he was in the tower of yellow crane superficially, but it actually expresses the deep feeling of Li Bai when he was still gazing at the river even though his friend Meng Haoran has left. The first line gives readers the background and the second line constructs ...