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Media in category "Turntables" The following 8 files are in this category, out of 8 total. Belt driven Rega.jpg 886 × 861; 120 KB.
U-Turn Audio was established in 2012 by three friends from Lexington High School, [1] Benjamin Carter, Robert Hertig, and Peter Maltzan. They raised money to start the company by participating in a business incubator program at Northeastern University, and they successfully completed a Kickstarter crowdfunding campaign [2] to build the first Orbit turntable prototype and begin manufacturing ...
Turntablism has origins in the invention of direct-drive turntables.Early belt-drive turntables were unsuitable for turntablism, since they had a slow start-up time, and they were prone to wear-and-tear and breakage, [9] as the belt would break from backspinning or scratching. [10]
The Numark Pro TT-2, Pro TT-1+, Pro TT-1 and TT-100 were a family of private label, high end, direct drive DJ phonograph turntables sold by Numark during the late 1990s and early 2000s. Only in production for a few years, these models were among the early versions of the "Super OEM" manual DJ turntables made by the Hanpin Electron Co., Ltd. of ...
A phonograph, later called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910), and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of sound.
In a direct-drive turntable the motor is located directly under the center of the platter and is connected to the platter directly. It is a significant advancement over older belt-drive turntables for turntablism, since they have a slower start-up time and torque, and are prone to wear-and-tear and breakage, [5] as the belt would break from backspinning or scratching. [6]
It supplied turntables and autochangers to many of the world’s record player manufacturers, eventually gaining 87% of the market. The company also manufactured their own brand of player, the Monarch automatic record changer, which could select and play 7", 10" and 12" records at 16, 33 1 ⁄ 3 , 45 or 78 rpm, automatically intermixing ...
Linn presented an important challenge to that by claiming that the source (i.e. the turntable) was the most important part of the system. [1] Ivor Tiefenbrun has talked about how Sondek derives from the term “sound deck” to emphasise the revolutionary concept that the turntable, the “deck”, is responsible for the sound quality. [9]
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