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This is a simple scaling of the red, green, and blue channels, and is why color balance tools in Photoshop have a white eyedropper tool. It has been demonstrated that performing the white balancing in the phosphor set assumed by sRGB tends to produce large errors in chromatic colors, even though it can render the neutral surfaces perfectly neutral.
Video cameras can possess a function called black balance [1] which calibrates the signal for no light, just as they have a "white balance" function which gives reference to true white to the CCDs. Unlike white balance, black balance is not adjusted every time. This function is found in higher end 'professional' cameras rather than in cameras ...
[3]: 5 Monochrome images are not direct renditions of their subjects, but are abstractions from reality, representing colors in shades of grey. In computer terms, this is often called greyscale. [5] Black-and-white photography is considered by some to add a more emotional touch to the subject, compared with the original colored photography. [6]
Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, saturation, detail, black level, and white balance may be enhanced whether for motion pictures, videos ...
Broadcast-safe video (broadcast legal or legal signal) is a term used in the broadcast industry to define video and audio compliant with the technical or regulatory broadcast requirements of the target area or region the feed might be broadcasting to. [1]
Here is an example of color channel splitting of a full RGB color image. The column at left shows the isolated color channels in natural colors, while at right there are their grayscale equivalences: Composition of RGB from three grayscale images. The reverse is also possible: to build a full-color image from their separate grayscale channels.
[11]: 3, 5, 21 [12] Infrared-passing filters are used in black-and-white infrared photography to block blue wavelengths and limit the photograph to infrared wavelengths only. Without filters, infrared negative films look much like conventional negative films because the blue sensitivity lowers the contrast and effectively counteracts the ...
The camera encodes its rendered image into the JPEG file using one of the standard gamma values such as 2.2, for storage and transmission. The display computer may use a color management engine to convert to a different color space (such as older Macintosh's γ = 1.8 color space) before putting pixel values into its video memory.