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The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
Marie Antoinette in 1769 wearing an early high roll. In the beginning of the 1700s, the fashion for women's hair was relatively natural, with curls and caps. Over the course of the century, men's tendency to wear wigs and more complex styles spread to women. The earliest high rolls were observed in the late 1760s and became taller over time.
Hairstyle of 1840 1848 fashion plate shows bonnets and winter-wear. The wide hairstyles of the previous decade gave way to fashions which kept the hair closer to the head, and the high bun or knot on the crown descended to the back of the head. Hair was still generally parted in the center.
Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s.
Illustration of women's fashion from 1792 Sketch by Isaac Cruikshank (father of George ), showing both male and female middle-class English styles of the early 1790s. La Comtesse Bucquoi wears a sashed gown with a high-necked, frilled chemise beneath, a turban on her head, and a newly fashionable scarlet shawl . 1793.
Western wear is a category of men's and women's clothing which derives its unique style from the clothes worn in the 19th century Wild West. It ranges from accurate historical reproductions of American frontier clothing, to the stylized garments popularized by Western film and television or singing cowboys such as Gene Autry and Roy Rogers in ...
A daring new fashion arose for having one's portrait painted in undress, wearing a loosely fastened gown called a nightgown over a voluminous chemise, with tousled curls. The style is epitomized by the portraits of Peter Lely, which derive from the romanticized style originated by Anthony van Dyck in the 1630s. The clothing in these portraits ...
Women at court found it hard to keep up with the ever-changing fashion of hair. In order to keep these hairstyles from ruin, women would wear 'calash', a type of large carriage wheel-like bonnet, structured with boning, that accordioned open, which protected it from wind, dirt and rain. [10] [11]