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1907 book cover of fable retold by Félicité Lefèvre & illustrated by Tony Sarg 1925 book cover of fable retold by Watty Piper & illustrated by Eulalie Minfred Banks. The Cock, the Mouse and the Little Red Hen is a European fable first collected by Félicité Lefèvre and published in illustrated form by Grant Richards in 1907.
Originally the other animals besides the hen consist of a rat, a cat, a dog, a duck, and a pig. [1] Later adaptations often reduce the number of other animals to three. The story was likely intended as a literature primer for young readers, but departed from highly moralistic, often religious stories written for the same purpose.
An illustration of the fable by J.M.Condé, 1905. The Dog and the Wolf is one of Aesop's Fables, numbered 346 in the Perry Index. [1] It has been popular since antiquity as an object lesson of how freedom should not be exchanged for comfort or financial gain. An alternative fable with the same moral concerning different animals is less well known.
The poem consists of 43 seven-lined stanzas of which the first twelve recount a meeting with Aesop in a dream and six stanzas at the end draw the moral; the expanded fable itself occupies stanzas 13–36. A political lesson of a different kind occurs in Francis Barlow's 1687 edition of the fables.
They were told with the didactic intent of drawing moral lessons which could be either secular or spiritual. Many different versions of the stories were created but writers frequently followed understood conventions. One such convention was the inclusion of the didactic moral lesson in a moralitas (plural moralitates) inserted after the fable ...
It is under the title "The Dog and the Bone" that the fable was set by Scott Watson (b. 1964) as the third in his "Aesop's Fables for narrator and band" (1999). [35] More recently, the situation has been used to teach a psychological lesson by the Korean choreographer Hong Sung-yup.
The Panchatantra, a collection of Indian animal fables, is another early example. Both use talking animals for didactic purposes. [4] More recent fables like Sarah Trimmer’s History of the Robins (1786) use talking animals to instruct children on how to behave in society as well as how to maintain the social order. [4]
The Monkey and the Cat is best known as a fable adapted by Jean de La Fontaine under the title Le Singe et le Chat that appeared in the second collection of his Fables in 1679 (IX.17). It is the source of popular idioms in both English and French, with the general meaning of being the dupe (or tool) of another (e.g., a cat's-paw ).
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