Search results
Results from the WOW.Com Content Network
His sound was always 'rounded,' and incomparably more interesting than that of the great German conductors of his generation." On the other hand, the critic David Hurwitz sharply criticizes what he terms "the Furtwängler wackos" who "will forgive him virtually any lapse, no matter how severe", and characterizes the conductor himself as ...
There also exist several public recordings, some of them having been released : with the Hamburg Philharmonic in 1948 (Société Wilhelm Furtwängler), with the Orchestra of Hesse Radio in Frankfurt in 1952 (Wilhelm-Furtwängler-Gesellschaft), with the Vienna Philharmonic in 1953 (Orfeo) and with the South-German Radio Symphony Orchestra in ...
Wilhelm Furtwängler was a family friend of the Geissmars. When Furtwängler was 15, Geissmar's quartet played through one of Furtwängler's early quartets. Later, in 1915, Furtwängler was appointed principal conductor of the Opera and Music Academy in Mannheim, and his friendship with the Geissmars was renewed.
Wilhelm Furtwängler's Symphony No. 3 in C-sharp minor was written between 1951 and 1954. It is in four movements: Largo; Allegro; Adagio; Allegro assai; At first, the four movements had programmatic headings: "Disaster," "Under compulsion to life," "Beyond" and "The conflict continues."
Wilhelm Furtwängler's Symphony No. 1 in B minor, written between 1938 and 1941, is based on an earlier piece he wrote, a Largo in B minor from 1908. To this he added three more movements for a 4-movement work: Largo; Scherzo. Allegro; Adagio
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The Symphonic Concerto for piano and orchestra in B minor by Wilhelm Furtwängler was composed between 1924 and 1937. Its world premiere took place in Munich on 26 October 1937, with Edwin Fischer as soloist; Furtwängler conducted the Berlin Philharmonic Orchestra. In January 1939 there was a radio broadcast which has survived as the only ...
(Wilhelm Furtwangler's 1949 recording with the Berlin Philharmonic was chosen as the top 'Historic' recommendation.) The chamber arrangement has been recorded, by among others, the Thomas Christian Ensemble, proving to one reviewer "beyond doubt that it simply takes more than 10 musicians, no matter how good they are, to play a Bruckner symphony."