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The equivalent in classical music is an ostinato, in hip hop and electronic music the loop, and in rock music the riff. [ 31 ] The slang term vamp comes from the Middle English word vampe (sock), from Old French avanpie , equivalent to Modern French avant-pied , literally before-foot .
Count Basie's band used many riffs in the 1930's, like in "Jumping at the Woodside" and "One O Clock Jump". Charlie Parker used riffs on "Now's the Time" and "Buzzy". Oscar Pettiford's tune "Blues in the Closet" is a rifftune and so is Duke Ellington's tune "C Jam Blues". Blues guitarist John Lee Hooker used riff on "Boogie Chillen" in 1948. [9]
Pages in category "Riffs" ... Radiohead "Creep" ostinato.mid 38 s; 389 bytes This page was last edited on 25 August 2013, at 03:30 (UTC). Text is available under ...
A riff is an example of ostinato, a short, repeated musical phrase. Riff, RIFF, The 'Riff, or Riffs may also refer to: Acronyms. Film festivals. ...
A jazz, fusion, and musical theatre term which instructs rhythm section members to repeat and vary a short ostinato passage, riff, or "groove" until the band leader or conductor instructs them to move on to the next section variazioni Variations, con variazioni: with variations/changes veloce Fast velocità Speed; con velocità: with speed ...
Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano. [1]
Just before the coda, Lennon's intro riff (or ostinato) is repeated with a bright sound by George Harrison on electric guitar (a Gretsch Tennessean). [10] The song ends with a fadeout of the G major portion of the opening riff repeated several times.