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Mughal-e-Azam is a family history highlighting the differences between father and son, duty to the public over family, and the trials and tribulations of women, particularly of courtesans. According to Rachel Dwyer, author of the book Filming the Gods: Religion and Indian Cinema, the film highlights religious tolerance between Hindus and Muslims.
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Azam ascended the Mughal throne in Ahmednagar upon the death of his father on 14 March 1707. However, he and his three sons, Bidar Bakht, Jawan Bakht and Sikandar Shan, were later defeated and killed by Azam Shah's older half-brother, Shah Alam (later crowned as Bahadur Shah I), during the Battle of Jajau on 20 June 1707.
Muhammad Azam Shah (1653 - 1707) 8. Bahadur Shah I Shah Alam I (1643 –1712) Muhammad Akbar (1657- 1706) Muhammad Kam Bakhsh ... Template: Mughal family tree.
The careful modeling of the faces is also influenced by Mughal portraiture. [6] While directly inspired from Mughal art, the artists have deliberately incorporated traditional elements of the Bijapur school in the painting. This is seen in the choice of the color palette, rich in lavender-pink, and distinctive shades of green, deep orange, and ...
Template documentation. Mughal emperors; Babur: 1526–1530: Humayun (first reign) 1530–1540 ... Azam Shah: 1707: Bahadur Shah I (Shah Alam I)
Later the play formed the basis for the highly successful Indian feature film Mughal-e-Azam, released in 1960. In this film produced by K. Asif, there was a twist to the story through a happy ending with Emperor Akbar finally being clement towards Anarkali. Though Imtiaz Ali Taj claimed that the film had no historical authenticity, he still ...
His directorial debut, Phool (1945), did very well at the box-office. In 1944, Asif planned to make a film called Mughal-e-Azam based on the life and times of Mughal Emperor Akbar the Great's court dancer, based on an Urdu novel 'Anarkali' written by Syed Imtiaz Ali Taj, with Chandramohan in the male lead and the then upcoming actress Nargis in the female lead.