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Masters at Work is the American garage house production and remix team of "Little" Louie Vega and Kenny "Dope" Gonzalez. The duo has produced music together under the names MAW, KenLou, Sole Fusion, Hardrive, and Nuyorican Soul. [1] They have been referred to as one of the most influential artists in the history of house music. [2]
Masters at Work "Lean on Me" With James Ingram "Dubplate Special 1" "Like a Butterfly" With Patti Austin "Work" With Pupa Nas-T and Denise Belfon "Dubplate Special 2" KenLou "Gone Three Times" Groove Box "The More You Want" 2002: Masters at Work "Backfired" With India; UK #62: MAW Electronic "Tranz/Body" 2003: Masters at Work "Dubplate Special ...
It comprises remixes of tracks from Homework by artists including DJ Sneak, Masters at Work, Todd Terry, Motorbass, Slam and Ian Pooley. As a standalone album, it peaked at number 17 on the Billboard Dance/Electronic Albums chart.
During this time, production team Masters at Work began a remixing team which consisted of young producers "Little Louie" Vega and partner Kenny "Dope" Gonzalez. [ 3 ] Vega's uncle is salsa vocalist Héctor Lavoe , while Gonzalez's father, Hector Torres, also performs salsa. [ 4 ]
Kenny "Dope" Gonzalez (born June 7, 1970), [1] also sometimes known as K-Dope, is an American record producer and disc jockey.He is one half of the classic house music Masters at Work musical production team with Little Louie Vega; and also released the hit "The Bomb!
Sessions 5, by Masters at Work, was the first double album in the series and every volume since has either been a double or triple album. In 1995, 1997, 1999 (and two later editions in 2003, and one in 2011) is the Late Night Sessions series. The first edition from 1995 was mixed by DJ Harvey.
The Masters Tournament (usually referred to as simply the Masters, or as the U.S. Masters outside North America) [2] [3] is one of the four men's major golf championships in professional golf. Scheduled for the first full week in April, the Masters is the first major golf tournament of the year.
John Bush of AllMusic said: "In keeping with Masters at Work's heritage, most of the album is Latin in feel and jazzy in composition, but with ever-present synths and piano runs that belie their heavy dance heritage." [4] He called it "one of the best all-star dance albums ever recorded." [4]