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In the first French edition, the time signature is 4/4, but most recent editions of this piece follow the manuscript and German editions, which indicate cut time. [1] This work is a series of rising and falling arpeggios in various chord progressions from C minor. It is sometimes nicknamed the "Ocean" étude. [2] [3]
1st Study in C ♯ minor; 2nd Study in F minor (imitation of Opus 25 No. 2) 3rd Study in F ♯ minor (left hand only) Opus 10 No. 10. 1st Study in D major; 2nd Study in A ♭ major (left hand only) Opus 10 No. 11. Study in A major (left hand only) This étude was also combined with the Opus 25 No. 3 étude. Opus 10 No. 12. Study in C ♯ minor ...
Étude Op. 25, No. 7 in C-sharp minor is a solo piano technical study composed by Frédéric Chopin in 1834. Markedly different from Chopin's overall scheme of technical virtuosity, this étude focuses instead on perfect sound and phrasing, particularly for the left hand.
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Adagio and Allegro in F minor for a mechanical organ, K. 594; Adagio and Fugue in C minor (Mozart) Adagio and Rondo Concertante; Adagio and Rondo for glass harmonica, flute, oboe, viola and cello; Adagio in B minor (Mozart) Adagio in E for Violin and Orchestra (Mozart) Adelaide (Beethoven) Adelaide di Borgogna; Adelia (opera) Adelson e Salvini ...
Opening of the Revolutionary Étude. Étude Op. 10, No. 12 in C minor, known as the "Revolutionary Étude" or the "Étude on the Bombardment of Warsaw", [1] is a solo piano work by Frédéric Chopin written c. 1831, and the last in his first set, Études, Op. 10, dedicated "à son ami Franz Liszt" ("to his friend Franz Liszt").
Étude Op. 25, No. 4 in A minor is a technical study composed by Frédéric Chopin. It is marked Agitato at the head. This piece is like a polka. The technique explored in this piece is the performance of off-beat staccato chords set against a regular on-beat bass. This is an example of syncopation. The left hand leaps intervals of up to a ...
Шопена, Variatsii na temu F. Shopena), Op. 22, is a group of 22 variations on Frédéric Chopin's Prelude in C minor (Op. 28, No. 20), composed by Sergei Rachmaninoff in 1902–03. In the first edition, it is noted that 3 of the variations and the final Presto section can be omitted if the performer wishes.
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