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A woman playing the shō. The shō was first used as a solo instrument for contemporary music by the Japanese performer Mayumi Miyata.Miyata and other shō players who specialize in contemporary music use specially constructed instruments whose silent pipes are replaced by pipes that sound notes unavailable on the more traditional instrument, giving a wider range of pitches.
These instruments are sound synthesizers that use mechanical, optical, or other forms of non-electric computation, sampling, processing, or the like. It has been proposed that music synthesizers that perform computation, and/or that work by recording and playback of sound samples, or the like, be referred to as quintephones.
This is a list of instruments by Hornbostel-Sachs number, covering those instruments that are classified under 321.314 under that system. These instruments may be known as spike frame lutes . 3 : Instruments in which sound is produced by one or more vibrating strings ( chordophones , string instruments ).
The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, construction, material composition, physical state, etc.), the manner in which the instrument is played (plucked, bowed, etc.), the means by which the instrument produces sound, the quality ...
This is a list of instruments by Hornbostel-Sachs number, covering those instruments that are classified under 321.311 under that system. These instruments may be known as spike bowl lutes . 3 : Instruments in which sound is produced by one or more vibrating strings ( chordophones , string instruments ).
This is a list of instruments by Hornbostel-Sachs number, covering those instruments that are classified under 321.21 under that system. These instruments may be known as bowl lyres . 3 : Instruments in which sound is produced by one or more vibrating strings ( chordophones , string instruments ).
A mouth organ is any free reed aerophone with one or more air chambers fitted with a free reed. [1] Though it spans many traditions, it is played universally the same way by the musician placing their lips over a chamber or holes in the instrument, and blowing or sucking air to create a sound. [2]
412.13 Free-reed instruments feature a reed which vibrates within a closely fitting slot (there may be an attached pipe, but it should only vibrate in sympathy with the reed, and not have an effect on the pitch - instruments of this class can be distinguished from 422.3 by the lack of finger-holes). 412.131 Individual free reeds. Bawu; Party horn