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Kathakali (IAST: Kathakaḷi pronunciation ⓘ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Indian theatre. It is a play of verses. These verses are called Kathakali literature or Attakatha. Mostly played in the courts of kings and temple festivals. Hence it is known as suvarna art forms.
Kathakali performances are a part of Onam tradition. [57] Kathakali dance is also commonly performed during this time, with dancers enacting characters from the various Ancient Indian legends. [58] A famous venue for this is at Valluvanad which is associated with the growth of Kathakali, [59] and Cheruthuruthy, where Kerala Kalamandalam is located.
Kathakali emerged in the southwestern region of India (modern Kerala), and is distinctive in its elaborate codified colorful makeup, masks and dress. [77] Kathakali traditionally has been troupes of predominantly male actor-dancers, who dress up as hero, heroines, gods, goddesses, demons, demonesses, priests, animals and daily life characters ...
Native traditions of classical performing arts include koodiyattom, a form of Sanskrit drama or theatre and a UNESCO-designated Human Heritage Art.Kathakali (from katerumbu ("story") and kali ("performance")) is a 500-year-old form of dance-drama that interprets ancient epics; a popularized offshoot of kathakali is Kerala natanam (developed in the 20th century by dancer Guru Gopinath).
Kathakali is performed each evening. [ 11 ] [ 2 ] Pantheerayiram is the offering of 12,001 bananas in a special ritual, [ 8 ] usually made at the Pantheeradi (second) puja . The Kesaadipaadam garland is a flower garland, measuring about 15 feet, which adorns the deity during the third and fourth pujas . [ 4 ]
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The theory of rasas forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, and others. [ 8 ] In Indian classical music , each raga is an inspired creation for a specific mood, where the musician or ensemble creates the rasa in the listener ...
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