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  2. 44,100 Hz - Wikipedia

    en.wikipedia.org/wiki/44,100_Hz

    The selection of the sample rate was based primarily on the need to reproduce the audible frequency range of 20–20,000 Hz (20 kHz). The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz.

  3. Normalized frequency (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Normalized_frequency...

    A typical choice of characteristic frequency is the sampling rate that is used to create the digital signal from a continuous one. The normalized quantity, f ′ = f f s , {\displaystyle f'={\tfrac {f}{f_{s}}},} has the unit cycle per sample regardless of whether the original signal is a function of time or distance.

  4. 48,000 Hz - Wikipedia

    en.wikipedia.org/wiki/48,000_Hz

    The DVD format uses the 48 kHz sampling rate, and its doublings. In digital audio, 48,000 Hz (also represented as 48 kHz or DVD Quality) is a common sampling rate. It has become the standard for professional audio and video. 48 kHz is evenly divisible by 24, a common frame rate for media, such as film, unlike 44.1 kHz. [i]

  5. Sampling (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Sampling_(signal_processing)

    The sampling frequency or sampling rate, , is the average number of samples obtained in one second, thus = /, with the unit samples per second, sometimes referred to as hertz, for example 48 kHz is 48,000 samples per second.

  6. Nyquist–Shannon sampling theorem - Wikipedia

    en.wikipedia.org/wiki/Nyquist–Shannon_sampling...

    The Nyquist–Shannon sampling theorem is an essential principle for digital signal processing linking the frequency range of a signal and the sample rate required to avoid a type of distortion called aliasing. The theorem states that the sample rate must be at least twice the bandwidth of the signal to avoid aliasing.

  7. Digital Audio Tape - Wikipedia

    en.wikipedia.org/wiki/Digital_Audio_Tape

    Digital Audio Tape (DAT or R-DAT) is a signal recording and playback medium developed by Sony and introduced in 1987. [1] In appearance it is similar to a Compact Cassette, using 3.81 mm / 0.15" (commonly referred to as 4 mm) magnetic tape enclosed in a protective shell, but is roughly half the size at 73 mm × 54 mm × 10.5 mm.

  8. Sample-rate conversion - Wikipedia

    en.wikipedia.org/wiki/Sample-rate_conversion

    Sample-rate conversion prevents changes in speed and pitch that would otherwise occur when transferring recorded material between such systems. More specific types of resampling include: upsampling or upscaling; downsampling, downscaling, or decimation; and interpolation. The term multi-rate digital signal processing is sometimes used to refer ...

  9. Oversampling - Wikipedia

    en.wikipedia.org/wiki/Oversampling

    The sampling theorem states that sampling frequency would have to be greater than 200 Hz. Sampling at four times that rate requires a sampling frequency of 800 Hz. This gives the anti-aliasing filter a transition band of 300 Hz ((f s /2) − B = (800 Hz/2) − 100 Hz = 300 Hz) instead of 0 Hz if the sampling frequency was 200 Hz. Achieving an ...

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