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Peter's vision of a sheet with animals, the vision painted by Domenico Fetti (1619) Illustration from Treasures of the Bible by Henry Davenport Northrop, 1894. According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel (Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being ...
Like the story of Saul's conversion, two visionary experiences are involved in the story of Cornelius, each confirming the other. [6] While Peter remained in Joppa (9:43), the focus moves to Caesarea, 32 miles (51 km) north up the coast, to a Roman called Cornelius, belonging to the 'non-commissioned officer class who were the backbone of the Roman army', the 'Italian Cohort' (10:1). [6]
The Peter Cornelius Archive is an extensive collection maintained by the Mainz City Library , consisting of the composer’s personal items, documents, and musical works. It includes around 50 original music manuscripts, 58 notebooks with diaries, sketches, and poems, personal memorabilia like death masks, and over 2,600 letters.
Der Barbier von Bagdad (The Barber of Baghdad) is a comic opera in two acts by Peter Cornelius to a German libretto by the composer, based on The Tale of the Tailor and The Barber’s Stories of his Six Brothers in One Thousand and One Nights.
Gunlöd is an opera in three acts by composer Peter Cornelius. [1] Cornelius also authored the work's libretto which is based on the story of Hávamál in the version found in the Edda, a literary work from Medieval Iceland which details Old Norse legends. [2]
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"The Three Kings", [1] or "Three Kings From Persian Lands Afar", is a Christmas carol by the German composer Peter Cornelius. He set "Die Könige" for a vocal soloist, accompanied by Philip Nicolai's hymn "Wie schön leuchtet der Morgenstern" ("How Brightly Shines the Morning Star"), which he erroneously thought was an Epiphany hymn.
The Acts of Peter and the Twelve [1] [2] or the Acts of Peter and the Twelve Apostles [3] [4] is a Christian text from about the 4th century. [5] It is the first treatise in Codex VI of the Nag Hammadi library texts, [6] [7] taking up pages 1–12 of the codex's 78 pages. [6] The writing extends the Parable of the Pearl from Matthew 13:45–46.