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"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [ 1 ] which earned Frost the 1924 Pulitzer Prize for Poetry .
Winifred Emma May (4 June 1907 – 28 August 1990) was a poet from the United Kingdom, best known for her work under the pen name Patience Strong.Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength.
Wouldn't Take Nothing for My Journey Now (1993) is Maya Angelou's first book of essays, published shortly after she recited her poem "On the Pulse of Morning" at the inauguration of US President Bill Clinton, [3] making her the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's 1961 inauguration. [4]
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. The poem ends with an acceptance that pleasure cannot last and that death is an inevitable part of life. In the poem, Keats imagines the loss of the physical world and sees himself dead—as a "sod" over which the nightingale sings. The ...
Nothing Gold Can Stay may refer to: "Nothing Gold Can Stay" (poem), a poem by American poet Robert Frost; Nothing Gold Can Stay, a 1999 album by New Found Glory; Nothing Gold Can Stay (short story collection), a 2013 short story collection by Ron Rash; Episode 11 of Containment in 2016, named after the Frost poem
Directly across the water, these images (and the direct imperative "Listen!") were to be later echoed by Matthew Arnold, an early admirer (with reservations) of "Intimations", in his poem "Dover Beach", but in a more subdued and melancholy vein, lamenting the loss of faith, and in what amounts to free verse rather than the tightly disciplined ...
The poem first appeared in the 1816 collection Alastor, or The Spirit of Solitude: And Other Poems, published by Baldwin, Cradock, and Joy in London: [3] We are as clouds that veil the midnight moon; How restlessly they speed, and gleam, and quiver, Streaking the darkness radiantly!—yet soon Night closes round, and they are lost forever: