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In filmmaking, Foley[a] is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. [1] Foley is named after sound-effects artist Jack Foley. [2] Foley sounds are used to enhance the auditory experience of a movie. They can be anything from the swishing of clothing ...
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific ...
Sound design commonly involves performing (see e.g. Foley) and editing of previously composed or recorded audio, such as sound effects and dialogue for the purposes of the medium, but it can also involve creating sounds from scratch through synthesizers. A sound designer is one who practices sound design.
Michael Winslow. Michael Leslie Winslow (born September 6, 1958) is an American actor, comedian and beatboxer [1] billed as The Man of 10,000 Sound Effects[2] for his ability to make realistic sounds using only his voice. He is best known for his roles in all seven Police Academy films as Larvell Jones.
Wes Harrison. Wesley Bryon Harrison (January 31, 1925 - July 21, 2019), better known as Wes Harrison and nicknamed Mr. Sound Effects, was an American comedian and voice actor, notable for his ability to create realistic sound effects using only his voice and a Shure 530 Slendyne microphone. [1] Harrison had a comic style reminiscent of Red Skelton.
Sound editor (filmmaking) A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. The sound editor works with the supervising sound editor.
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