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Beaker with soldier and civilian shaking hands, Bohemian glass, later 19th century. Engraved glass is a type of decorated glass that involves shallowly engraving the surface of a glass object, either by holding it against a rotating wheel, or manipulating a "diamond point" in the style of an engraving burin. It is a subgroup of glass art, which ...
Venetian glass (Italian: vetro veneziano) is glassware made in Venice, typically on the island of Murano near the city. Traditionally it is made with a soda–lime "metal" and is typically elaborately decorated, with various "hot" glass-forming techniques, as well as gilding, enamel, or engraving. Production has been concentrated on the ...
[15] [16] Bohemian and Venetian Murano glass are often described as silver overlay, but the silver is so thin that it looks as though it has been painted onto the surface, producing a flat effect. Friedrich Deusch invented a way to combine silver and a non-conductive surface such as porcelain or glass with galvanization.
This technique was perfected in 13th century Venice. The crown glass process was used up to the mid-19th century. In this process, the glassblower would spin approximately 9 pounds (4 kg) of molten glass at the end of a rod until it flattened into a disk approximately 5 feet (1.5 m) in diameter. The disk would then be cut into panes.
Verre églomisé. Verre églomisé [vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy [1] (1711–1786), who was responsible for its revival.
The melted batch, or metal, is typically shaped into the glass product (other than plate and window glass) by either glassblowing or pressing it into a mold. [7] Glass was not pressed in the United States until the 1820s. [8] Until the 20th century, window glass production involved blowing a cylinder and flattening it. [9]
Martyrdom of St Sebastian, engraving by the Master of the Playing Cards, c. 1445. Engraving on metal was part of the goldsmith's craft throughout the Medieval period, and the idea of printing engraved designs onto paper probably began as a method for them to record the designs on pieces they had sold. Some artists trained as painters became ...
The Portland Vase, about 5–25 AD . Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background.
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