Search results
Results from the WOW.Com Content Network
Hebrew Meaning "good for you", "way to go", or "more power to you". Often used in synagogue after someone has received an honour. The proper response is "baruch tiheyeh" (m)/brucha teeheyi (f) meaning "you shall be blessed." [1] [9] Chazak u'varuch: חֵזָק וּבָרוךְ Be strong and blessed [χaˈzak uvaˈʁuχ] Hebrew
The song is by Yosef Hadar, with lyrics by Moshe Dor. It was first recorded in 1957 by singer Yafa Yarkoni , and a year later by the duo HaDuda'im, whose version became a smash hit in Israel. They toured the world extensively in the '60s, and their version became one of their international signature songs.
Hakarat HaTov (or Hakaras HaTov; Hebrew: הַכָּרַת הַטּוֹב), is the Hebrew term for gratitude. It literally means "recognizing the good". It literally means "recognizing the good". [ 1 ] [ 2 ]
"Natati La Khayay" (Hebrew script: נתתי לה חיי, lit. 'I gave her my life'; the translation used by the band is "She looked me in the eye") is a song performed in Hebrew by the Israeli band Kaveret, conveying both romantic and political message.
Hevenu shalom aleichem" (Hebrew: הבאנו שלום עליכם "We brought peace upon you" [1]) is a Hebrew-language folk song based on the greeting Shalom aleichem. While perceived to be an Israeli folk song, the melody of "Hevenu shalom aleichem" pre-dates the current state of Israel and is of Hasidic origin.
Anim Zemirot (Hebrew: אנעים זמירות, lit."I shall sweeten songs") IPA: [ʔanˈʕiːm zǝmiːˈroːθ] is a Jewish liturgical poem recited in most Ashkenazic synagogues during Shabbat and holiday morning services; in most communities, it is said at the end of services, and in a small number of communities it is recited at the beginning of services or before the Torah reading.
Hine Ma Tov continues to be a popular hymn for several Israeli folk dances and is a common song sung by school children and Jewish and Israeli scouting groups. It has been recorded by artists as diverse as Theodore Bikel, The Weavers, Dalida, Meir Finkelstein, Ishtar, the Miami Boys Choir, Joshua Aaron, the Abayudaya of Uganda and the dub group Adonai and I.
The author draws from the rabbinic interpretation of the Song of Songs, suggested as linguistically originating in the 3rd century BCE, in which the maiden is seen as a metaphor for an ancient Jewish population residing within Israel's biblical limits, and the lover (dod) is a metaphor for God, and from Nevi'im, which uses the same metaphor. [6]