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Christ at the Column (Pillory) is a small painting by the Italian Renaissance artist Antonello da Messina, executed c. 1476–1478, showing the Flagellation of Christ. It is in the Louvre in Paris. Painted in his final years, the pictures shows Antonello's assimilation of the Early Netherlandish and Venetian influences into a mature art. For ...
The San Cassiano Altarpiece is a painting by the Italian Renaissance master Antonello da Messina, dating to 1475–1476. Commissioned for the church of San Cassiano in Venice , it was disassembled in the early 17th-century and the reunited central portion is now housed in the Kunsthistorisches Museum in Vienna .
Antonello da Messina (Italian pronunciation: [antoˈnɛllo da (m)mesˈsiːna]; c. 1425–1430 – February 1479), properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni [1] and Anglicized as Anthony of Messina, was an Italian painter from Messina, active during the Italian Early Renaissance.
15th-century paintings by Antonello da Messina — an Italian Renaissance Quattrocento painter. Pages in category "Paintings by Antonello da Messina" The following 19 pages are in this category, out of 19 total.
Antonello da Messina; Usuario:Ángel Luis Alfaro/artículos; Cristo muerto sostenido por un ángel (Antonello da Messina) Arte de la Edad Moderna; Cristo muerto; Pintura italiana del Museo del Prado; Cristo muerto sostenido por ángeles; Varón de dolores; Anexo:Pintura italiana medieval y renacentista en las colecciones públicas madrileñas ...
Antonello is known to have treated this subject four times; three (b, c, d) are variations of the same design; a fourth (a) differs.. a) Christ Crowned with Thorns, in the collection of Gaspar Méndez de Haro, 7th Marquis of Carpio in 1687; Don Giulio Alliata, Palermo, 1698, when it was said to bear the date 1470, now illegible; ...Michael Friedsam, New York; Metropolitan Museum of Art, acc ...
Rooms 3-4 sculptures and paintings of the 15th and 16th century; Room 4 "Saint Gregory Polyptych" by Antonello da Messina; Rooms 5-8 Paintings, sculptures, funerary monuments and works of decorative art of the 16th century; Room 6 "Scylla" by G. A. Montorsoli; Rooms 9-11 17th-century art and culture; Room 10 Caravaggio works
It was then thought to be by one of three possible artists: Antonello, Jan van Eyck or Hans Memling. It was not until 1856 that the work was positively attributed to Antonello da Messina by the art critics Giovanni Battista Cavalcaselle and Joseph Archer Crowe, who were compiling a catalogue of early Flemish painters. The painting was initially ...
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