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The dogs of war is a phrase spoken by Mark Antony in Act 3, Scene 1, line 273 of English playwright William Shakespeare's Julius Caesar: "Cry 'Havoc!', and let slip the dogs of war." Synopsis [ edit ]
The quote appears in Act 3 Scene 1 of William Shakespeare's play Julius Caesar, [1] where it is spoken by the Roman dictator Julius Caesar, at the moment of his assassination, to his friend Marcus Junius Brutus, upon recognizing him as one of the assassins.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The phrase is spoken in Act 3, Scene 1 of the tragedy. Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm.
Act 3, scene 1: Yerma is found at Dolores's house. Dolores and the old woman have been praying over Yerma all night in the cemetery. Juan accuses Yerma of deceit, and she curses her blood, her body, and her father "who gave me his blood, enough for a hundred children." [1] Act 3, scene 2:
A drawing of Puck, Titania and Bottom in A Midsummer Night's Dream from Act III, Scene II by Charles Buchel, 1905 Meanwhile, Quince and his band of five labourers ("rude mechanicals ", as Puck describes them) have arranged to perform their play about Pyramus and Thisbe for Theseus's wedding and venture into the forest, near Titania's bower ...
The prelude to act 1 is frequently performed either alone or in conjunction with an arrangement of the "Good Friday" music which accompanies the second half of act 3, scene 1. Kundry's long solo in act 2 ("Ich sah das Kind") is occasionally performed in concert, as is Amfortas' lament from act 1 ("Wehvolles Erbe ").
Another notable stylistic technique is that the soliloquies of York in Act 1, Scene 1 and Act 3, Scene 1, as well as those of Eleanor and Hum in Act 1, Scene 2, and York's asides in Act 1, Scene 1 and Act 3, Scene 1 are all delivered direct to camera, as is the Dick the Butcher's comments in Act 4, Scene 2, as Cade delivers his speech to the ...