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In Greek mythology, maenads (/ ˈ m iː n æ d z /; Ancient Greek: μαινάδες) were the female followers of Dionysus and the most significant members of his retinue, the thiasus. Their name, which comes from μαίνομαι ( maínomai , “to rave, to be mad; to rage, to be angry”), [ 1 ] literally translates as 'raving ones'.
King Kong is a musical with music by Marius de Vries, lyrics by Michael Mitnick and Craig Lucas, a book by Lucas and additional musical and lyrical contributions by 3D, Sarah McLachlan, Guy Garvey, Justice and The Avalanches. It is based on the 1933 film of the same name. The original production was mounted in Australia in 2013.
King Kong (1959) was a landmark [1] South African jazz-influenced musical, billed at the time as an "all-African jazz opera".. It has been called "an extraordinary musical collaboration that took place in apartheid-torn South Africa.... a model of fruitful co-operation between black and white South Africans in the international entertainment field, and a direct challenge to apartheid."
[318] The fourth-century BC Derveni Krater, the unique survival of a very large scale Classical or Hellenistic metal vessel of top quality, depicts Dionysus and his followers. Dionysus appealed to the Hellenistic monarchies for a number of reasons, apart from merely being a god of pleasure: He was a human who became divine, he came from, and ...
Gustav Holst's "Hymn to Dionysus" (Op. 31, No. 2) is a setting for female voices and orchestra of the parodos from The Bacchae in the translation by Gilbert Murray. It was composed in 1913 and premiered in 1914. [28] In Fall 2007, Prospect Theater Company put on The Rockae, a rock musical adaption of the show written by Peter Mills & Cara Reichel
The Lion King had a very special performance on Broadway this week.. On Wednesday, Nov. 13, the stage musical adaptation of the beloved animated film celebrated it's 27th anniversary. And to mark ...
The title refers to the groups of devoted female followers of the god, who serve as the chorus in the play, and would engage in ecstatic rituals to the point of euphoric delirium motivated by the god's association with wine, sexuality, celebration, and the theater. The play deals with the themes of religion, sexuality, sacrifice and devotion. [5]
Articles relating to the Maenads, the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Their name literally translates as "raving ones".