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"Ave Maria" is a setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le Premier Prélude de Piano de S. Bach ". [1] The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major , BWV 846, from ...
Author(s)/Composer(s): Johann Sebastian Bach (1685–1750) Lyricist(s): none Music arranger(s): Charles Gounod (1818–1893) Conductor: none Performer(s): Jo Vincent (1898–1989) Vocal range: soprano with organ and violin accompaniment Title/Work: Ave Maria. Content: (Méditation sur le Premier Prélude de Piano de S. Bach)
He composed a large amount of church music, many songs, and popular short pieces including his "Ave Maria" (an elaboration of a Bach piece) and "Funeral March of a Marionette". Born in Paris into an artistic and musical family, Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Ave_Maria_(Gounod)&oldid=278357484"
Bach's music was transcribed and arranged to suit contemporary tastes and performance practice by composers such as Carl Friedrich Zelter, Robert Franz, and Franz Liszt, or combined with new music such as the melody line of Charles Gounod's Ave Maria.
For more Bach transcriptions by Busoni, see: List of adaptations by Ferruccio Busoni#Transcriptions (BV B 20 to 115) Bach-Busoni Editions; Charles Gounod's Ave Maria is based on Prelude No. 1 of Book I of The Well-Tempered Clavier. Francisco Tárrega transcribed a variety of Bach works, including his Fugue from Violin Sonata No. 1, BWV 1001
Ave Maria (1890) La contemplation de Saint François au pied de la croix and La mort de Saint François (1891) Second Ave Maria, meditation (1892) [Based on Bach's second prelude] Je te rends grâce, ô Dieu d'amour, canticle. Four-part. Words by Paul Collin. For soli ad libitum, chorus and piano or organ (1892) Version for voice and piano
Good Night, Dear Lord is the fourth album by American pop singer Johnny Mathis that was released by Columbia Records on March 3, 1958, [1] and is the first of many projects undertaken over the course of his career that have a specific focus, which here happens to be religion.
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