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The Mersey Sound is an anthology of poems by Liverpool poets Roger McGough, Brian Patten and Adrian Henri first published in 1967, when it launched the poets into "considerable acclaim and critical fame". [1] It went on to sell over 500,000 copies, becoming one of the bestselling poetry anthologies of all time.
Brian Patten (born 7 February 1946) is an English poet and author. [1] He came to prominence in the 1960s as one of the Liverpool poets , and writes primarily lyrical poetry about human relationships.
THE COUNTDOWN: Our chief books critic Martin Chilton chooses his very best reads of the year, from state-of-the-nation novels to surprising memoirs
They were featured in a 1967 book The Liverpool Scene edited by Edward Lucie-Smith, with a blurb by Ginsberg and published by Donald Carroll. Although he was born in Sussex , Adrian Mitchell shared many of the concerns of the Liverpool poets and is often linked with them in critical discussion.
The series added up to a substantial survey of English-language poetry of the time. Penguin Modern Poets was the first venture on the part of Penguin Books to offer contemporary poetry. Although at the time, most poetry was published in expensive hardbound editions, Penguin Modern Poets offered the public samplers of modern verse in inexpensive ...
The Mersey Sound is an anthology of poetry by three Liverpool poets: McGough, Brian Patten, and Adrian Henri. [9] It went on to sell over 500,000 copies, becoming one of the bestselling poetry anthologies of all time; remaining in continuous publication, it was revised in 1983 and again in 2007. [10]
We ranked all eight of Julia Quinn's 'Bridgerton' books that inspired the hit Netflix series, from 'The Duke and I' to 'Romancing Mister Bridgerton.'
Second Aeon was a British literary periodical published from late 1966 to early 1975. It ran for 21 issues and was edited by Peter Finch. [1] A spin-off of the magazine was Second Aeon Publications, a series of booklets, broadsheets and bound volumes that eventually reached 100 in number.
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