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"Blue Monday" has been labelled a "synth-pop classic" [21] [22] and described as cementing the group's movement from post-punk to alternative dance. [5]It has been noted as an example of the hi-NRG style of club music, [23] and the 2004 edition of The Rolling Stone Album Guide called it "the ultimate in flawlessly programmed, LSD-driven, push-button dance-pop".
Blue Monday" became a defining single for the group and caused a sensation, becoming the biggest selling 12-inch single of all time. [ 2 ] New Order, like many other post-punk groups of the period, increasingly utilised keyboards, drum machine and sequencers in their music.
"Blue Monday" is a song written by Dave Bartholomew, [1] first recorded in 1953 by Smiley Lewis and issued as a single, in January 1954, on Imperial Records (catalog # 5268). [ 2 ] [ 3 ] The single, with a slow-rocking beat, features an instrumental electric guitar solo by Lewis.
[5] [note 1] The follow-up to their breakthrough hit "Blue Monday", it was produced and co-written by influential New York DJ Arthur Baker, charting at No. 1 on the UK Indie Chart, No. 12 on the UK Singles Chart and the top 10 in Ireland and New Zealand, as well as reaching No. 5 on Billboard's Dance Club Songs.
The album reached number five on the UK Albums Chart and number 41 on the Swedish Albums Chart. [3] [4] To promote the album, "Blue Monday" was once again re-released.The version of "Blue Monday" released was the Hardfloor Mix, dubbed "Blue Monday-95", and reached number 17 in the United Kingdom, number 29 in Ireland, number 38 in Sweden and number 54 in Germany.
Starting from what earlier singles had hinted, this was where the band found their footing, mixing early techno music with their earlier guitar-based sound and showing the strong influence of acts like Kraftwerk and Giorgio Moroder. Even further in this direction was the electronically sequenced, four-on-the-floor single "Blue Monday".
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