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Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
Lynam was the architect of two other 19th century Victorian era tile works – those of Mintons Ltd of Stoke-on-Trent and Hollins, Staffordshire (built 1869), and Maw & Co., Jackfield, (built 1883). Craven Dunnill became well known for its encaustic tiles , in imitation of medieval originals.
The designs are decorated with a variety of luxury materials, including marble, ceramic, gilded tiles and enamel along with pearls and other semi-precious stones. [ 3 ] When an official party of Belgian architects visited the Stoclet Palace for the very first time, on 22 September 1912, the excitement amongst it members was great.
In addition, mosaic tiles (from 1862), transfer printed tiles, hand painted picture tiles and relief tiles were also produced and included Art Nouveau and Art Deco geometric designs. [ 3 ] In the 1890s Maw & Co started making high quality art pottery (the name they used for it) and employed artists, such as Lewis Foreman Day and Walter Crane ...
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", [1] an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art ...
An étagère (French:) is a French set of hanging or standing open shelves for the display of collections of objects or ornaments. [1] [2] The étagère became a popular form of furniture in the nineteenth century. [3]
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