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Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain.The earliest example of the form is the Batrachomyomachia ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great.
The novel embodies a fusion of two competing aesthetics of 18th-century literature: the mock-heroic and neoclassical (and, by extension, aristocratic) approach of Augustans such as Alexander Pope and Jonathan Swift, and the popular, domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson. The novel draws on various ...
The Anarchiad (1786–87) is an American mock-epic poem that reflected Federalist concerns during the formation of the United States. The Anarchiad, or American Antiquities: A Poem on the Restoration of Chaos and Substantial Night was penned by four members of the Hartford Wits: David Humphreys, John Trumbull, Joel Barlow, and Lemuel Hopkins.
Rejected Addresses was an 1812 book of parodies by the brothers James and Horace Smith. In the line of 18th-century pastiches focussed on a single subject in the style of poets of the time, it contained twenty-one good-natured pastiches of contemporary authors. The book's popular success set the fashion for a number of later works of the same kind.
Epic of Bamana Segu, oral epic of the Bambara people, composed in the 19th century and recorded in the 20th century; Epic of Darkness, tales and legends of primeval China; Epic of Jangar, poem of the Oirat people; Epic of Köroğlu, Turkic oral tradition written down mostly in 18th century; Epic of Manas (18th century)
The original house on the Arnos Court site dated from the 17th century. [1] In around 1740 the estate was bought by William Reeve, who had made his money through the production of copper and brass. [2] Reeve repurposed the original house as a service wing and built a new house adjoining it in a neoclassical style.
Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". [11]
Another folkloric medium in the Middle Ages were fables, mock epics and animal folk tales, notably: Reynard Le Roman de Renart (circa 1175) by Perrout de Saint Cloude, a mock epic, the first known appearance of the following animals: Reynard the fox in literature and folklore, an anthropomorphic fables of a fox, trickster; Bruin the Bear ...