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Warhol in 1973. Campbell's Soup Cans is considered Warhol's signature work. [90] For about a year, he made paintings from photographs, by his one-time love interest Edward Wallowitch, taken of soup cans in every condition and from every angle. During this time, he mixed his media (oil- and water-based paints) and cut stencils to help pursue ...
Warhol in 1973. Campbell's Soup I (sometimes Campbell's Soup Cans I) is a work of art produced in 1968 by Andy Warhol as a derivative of his Campbell's Soup Cans series. 250 sets of these screenprints were made by the Salvatore Silkscreen Company in New York City. It consists of ten prints each measuring 91.8 by 61.3 centimetres (36.1 in × 24. ...
Warhol in 1973. Campbell's Soup Cans II is a work of art produced in 1969 by Andy Warhol as part of his Campbell's Soup Cans series that consists of 250 sets of 10 screenprints. This set is held by several notable museums. It differs from the preceding set of 1968 Campbell's Soup I screenprints and has variations within the series.
In May 1962, Warhol was featured in an article in Time with his painting Big Campbell's Soup Can with Can Opener (Vegetable) (1962), which initiated his most sustained motif, the Campbell's soup can. [53] That painting became Warhol's first to be shown in a museum when it was exhibited at the Wadsworth Atheneum in Hartford in July 1962. [54]
Similarly, Warhol used the Campbell’s Soup logo without permission from the company for dozens of silkscreen prints. Eventually, Campbell’s Soup tacitly approved of his use because of the free marketing they were receiving, but Warhol’s use of their logo without initial permission was still appropriation." [9]
I have tried to expand FURs at File:Warhol Campbell's Soup Can (Tomato) 1962 Pencil on paper.jpg, File:20070624 Campbell's Soup Cans - Milwaukee Art Museum.JPG and File:Small Torn Campbell’s Soup Can (Pepper Pot), 1962.jpg. Can we discuss whether these are now satisfactory or what is necessary to make them so.-
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