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Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
According to most scholars, the bronze represents Zeus, [1] [2] the thunder-god and king of gods, though it has also been suggested it might represent Poseidon. The statue is slightly over lifesize at 2.09 meters, [3] and would have held either a thunderbolt, if Zeus, or a trident if Poseidon. [4]
According to the second and third Vatican Mythographer, Neptune's trident symbolizes the three properties of water: liquidity, fecundity and drinkability. [12]The trident of Neptune was viewed by Roman scholar Maurus Servius Honoratus as three-pronged because "the sea is said to be a third part of the world, or because there are three kinds of water: seas, streams and rivers".
Poseidon (/ p ə ˈ s aɪ d ən, p ɒ-, p oʊ-/; [1] Ancient Greek: Ποσειδῶν) is one of the Twelve Olympians in ancient Greek religion and mythology, presiding over the sea, storms, earthquakes and horses. [2] He was the protector of seafarers and the guardian of many Hellenic cities and colonies.
In this second group of versions, the snakes were sent by Poseidon [16] and in the first by Poseidon and Athena, or Apollo, and the deaths were interpreted by the Trojans as proof that the horse was a sacred object. The two versions have rather different morals: Laocoön was either punished for doing wrong, or for being right.
Many of the Greek deities are known from as early as Mycenaean (Late Bronze Age) civilization. This is an incomplete list of these deities [n 1] and of the way their names, epithets, or titles are spelled and attested in Mycenaean Greek, written in the Linear B [n 2] syllabary, along with some reconstructions and equivalent forms in later Greek.
The association between the owl and the goddess continued through Minerva in Roman mythology, although the latter sometimes simply adopts it as a sacred or favorite bird.. For example, in Ovid’s Metamorphoses, Corone the crow complains that her spot as the goddess' sacred bird is occupied by the owl, which in that particular story turns out to be Nyctimene, a cursed daughter of Epopeus, king ...
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.