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Caste: The Origins of Our Discontents is a nonfiction book by the American journalist Isabel Wilkerson, published in August 2020 by Random House.The book describes racism in the United States as an aspect of a caste system—a society-wide system of social stratification characterized by notions such as hierarchy, inclusion and exclusion, and purity.
Wilkerson interviewed more than a thousand people for The Warmth of Other Suns (2010), which documents the stories of African Americans who migrated to northern and western cities during the 20th century. Her 2020 book Caste describes the racial hierarchy in the United States as a caste system. Both books were best-sellers.
F or filmmaker Ava DuVernay, who made Selma, 13th, and When They See Us, the journalist Isabel Wilkerson’s watershed 2020 book Caste: The Origins of Our Discontents (recommended to her ...
Regarding book bans, Oprah's Book Club author of "Caste," Isabel Wilkerson, explains how it felt when she discovered her own work had been removed from libraries.
Isabel Wilkerson won a 2020 Los Angeles Times Book Prize for “Caste: The Origins of Our Discontents,” her study comparing institutionalized inequity in America, India and Nazi Germany ...
Caste is a system of social stratification and hierarchy in human societies. It may also refer to: Caste system in India; Caste: The Origins of Our Discontents, a 2020 book by Isabel Wilkerson Origin, working title Caste, a 2023 film adaptation by Ava DuVernay; Caste (play), a play by Thomas William Robertson; Caste (1930 film), a British film
Wilkerson eventually decides to write a book about caste, a concept which solves some of the intellectual problems which mere consideration of race does not. She visits India and the home, now a historical site, of Dr. Ambedkar, who championed the rights of the Dalit ("untouchable") peoples, who are at the bottom of the caste system in India.
These details make Isabel’s character richer and more relatable, expanding upon the kind of anecdotes Wilkerson chose to share in her book. The big risk Wilkerson took with “Caste” was not ...
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