Search results
Results from the WOW.Com Content Network
An archetypical baby-face figurine from Las Bocas.. The "baby-face" figurine is a unique marker of Olmec culture, consistently found in sites that show Olmec influence, [4] although they seem to be confined to the early Olmec period and are largely absent, for example, in La Venta.
Through subsequent research, it became apparent that not every cleft head nor every downturned mouth represented a werejaguar. [9] Some researchers have therefore refined the werejaguar supernatural, specifically equating it with the Olmec rain deity, [10] a proposition that artist, archaeologist, and ethnographer Miguel Covarrubias had made as early as 1946 in Mexico South.
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
This is represented in Olmec "art" and those with elite status would have worn elaborate headdresses of feathers and other animal forms. [30] Ocean creatures were also sacred to the Olmec—Pohl (2005) found shark teeth and sting ray remains at feasting sites at San Andres and it is clear that those at La Venta shared in the same ideology.
This Mural [6] is situated above the mouth to the south grotto, and portrays what is most likely a ruler seated upon a throne similar to La Venta's Altar 4 or 5.The eyes of a primal cave monster, showing Olmec iconic crossed-bars, can be seen on the top edge of the throne (note that the ruler is also wearing a crossed-bars pectoral, perhaps linking him directly with the monster).
"Olmec-style" face mask in jade. The Olmec civilization developed in the lowlands of southeastern Mexico between 1500 and 400 BC. [3] The Olmec heartland lies on the Gulf Coast of Mexico within the states of Veracruz and Tabasco, an area measuring approximately 275 kilometres (171 mi) east to west and extending about 100 kilometres (62 mi) inland from the coast. [4]
Tlatilco and Tlapacoya, major centers of the Tlatilco culture in the Valley of Mexico, where artifacts include hollow baby-face motif figurines and Olmec designs on ceramics. Chalcatzingo, in Valley of Morelos, central Mexico, which features Olmec-style monumental art and rock art with Olmec-style figures.
Copan, 'Reviewing Stand' with simian musicians Labna, Palace, vaulted passage. The layout of the Maya towns and cities, and more particularly of the ceremonial centers where the royal families and courtiers resided, is characterized by the rhythm of immense horizontal stucco floors of plazas often located at various levels, connected by broad and often steep stairs, and surmounted by temple ...