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The Seasons is a series of four poems written by the Scottish author James Thomson. The first part, Winter, was published in 1726, and the completed poem cycle appeared in 1730. [1] The poem was extremely influential, and stimulated works by Joshua Reynolds, John Christopher Smith, Joseph Haydn, Thomas Gainsborough and J. M. W. Turner. [1]
The Fifth Season—Poems to Re-Create the World: In Praise of Olde Haiku: New Year Ku; Books 1 & 2. Paraverse Press. ISBN 978-0-9742618-9-8. —— (2005). Kiyose (Seasonword Guide). From Here Press. ISBN 978-0-89120-041-3. (24 pp. A pocket kiyose listing over 700 Japanese kigo in English, ordered by season and category)
In addition to spring, ecological reckoning identifies an earlier separate prevernal (early or pre-spring) season between the hibernal (winter) and vernal (spring) seasons. This is a time when only the hardiest flowers like the crocus are in bloom, sometimes while there is still some snowcover on the ground.
Among them are quotes from luminaries like Henry Wadsworth Longfellow, Ralph Waldo Emerson and Mark Twain, who amusingly summed up spring's unpredictable weather by observing, "In the Spring, I ...
The Seasons (most probably in its German translation [2]) was highly valued by Adam Mickiewicz [3] and has inspired him to write a poem, Konrad Wallenrod. [4] Goethe is also said to have liked the poem. [5] Acclaimed Lithuanian theatre director Eimuntas Nekrošius has adapted the first and third part of the piece to the performances Donelaitis ...
Youthful beauty and winning grace, [6] rejected love (in Switzerland), "glory of spring," heartsickness and the death of young maidens; [11] rusticity, healing, pensiveness [5] [4] Creeping Willow Love forsaken
This is a list of kigo, which are words or phrases that are associated with a particular season in Japanese poetry.They provide an economy of expression that is especially valuable in the very short haiku, as well as the longer linked-verse forms renku and renga, to indicate the season referenced in the poem or stanza.
Each shows a profile portrait made up of fruit, vegetables and plants relating to the relevant season. The set was accompanied by a poem by Giovanni Battista Fonteo (1546–1580) explaining their allegorical meaning. Only Winter and Summer survive from the original work – these are now in the Kunsthistorisches Museum in Vienna.
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