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Guitar wiring refers to the electrical components, and interconnections thereof, inside an electric guitar (and, by extension, other electric instruments like the bass guitar or mandolin). It most commonly consists of pickups , potentiometers to adjust volume and tone, a switch to select between different pickups (if the instrument has more ...
Presence controls can also be found on electric guitar amplifiers. The first presence control on a Fender amplifier, for example, appeared in 1954 on the Twin. In 1955 it appeared on the 1/15 Pro-Amp, the 3/10 Bandmaster, the 2/10 Super, [4] and the 4/10 Bassman. [5] The original Fender presence control acted upon the amplifier's negative ...
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A few guitar amplifiers do feature true pitch shifting vibrato, notably some models offered in the late 1950s and into the 60s by Magnatone [2] [3] and presently by Juke Amplification [citation needed]. Still other amplifier manufacturers describe the effect, in accordance with standard music terminology, as tremolo.
A line-level attenuator has lower power handling, such as a 1/2-watt potentiometer or voltage divider and controls preamp level signals, whereas a power attenuator has higher power handling capability, such as 10 watts or more, and is used between the power amplifier and the speaker. Power attenuator (guitar) Guitar amplifier
Block diagram of a basic class-D amplifier. Note: For clarity, signal periods are not shown to scale. A class-D amplifier or switching amplifier is an electronic amplifier in which the amplifying devices (transistors, usually MOSFETs) operate as electronic switches, and not as linear gain devices as in other amplifiers.
This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb. [1] It was a completely different and significantly more powerful amplifier. [ 2 ] Designed by Ed Jahns, it featured a built-in reverb, treble boost and mid boost controls, and a switchable lead (overdrive) effect.
The second, introduced in 1983, added an on/off switch and a more powerful drive. The third, introduced in 1989, had improved sensitivity and faster attack. The EBow Plus, introduced in 1998, adds a blue LED and a switch to allow users to move between normal and harmonic modes (which sounds one octave higher). [4] It is powered by a nine-volt ...
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