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Presence controls can also be found on electric guitar amplifiers. The first presence control on a Fender amplifier, for example, appeared in 1954 on the Twin. In 1955 it appeared on the 1/15 Pro-Amp, the 3/10 Bandmaster, the 2/10 Super, [4] and the 4/10 Bassman. [5] The original Fender presence control acted upon the amplifier's negative ...
A diagram showing the wiring of a Gibson Les Paul electric guitar. Shown are the humbucker pickups with individual tone and volume controls (T and V, respectively), 3-way pickup selector switch, tone capacitors that form a passive low-pass filter, the output jack and connections between those components. The top right shows a modification that ...
Block diagram of a basic class-D amplifier. Note: For clarity, signal periods are not shown to scale. A class-D amplifier or switching amplifier is an electronic amplifier in which the amplifying devices (transistors, usually MOSFETs) operate as electronic switches, and not as linear gain devices as in other amplifiers.
A line-level attenuator has lower power handling, such as a 1/2-watt potentiometer or voltage divider and controls preamp level signals, whereas a power attenuator has higher power handling capability, such as 10 watts or more, and is used between the power amplifier and the speaker. Power attenuator (guitar) Guitar amplifier
This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb. [1] It was a completely different and significantly more powerful amplifier. [ 2 ] Designed by Ed Jahns, it featured a built-in reverb, treble boost and mid boost controls, and a switchable lead (overdrive) effect.
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The MD 421 is primarily used for drums, guitar amplifiers, woodwinds, brass and percussion instruments. [1] It is known for its almost linear frequency response in the bass range up to 1,000 Hz. Above that, the microphone exhibits a smooth increase in upper mid-range frequencies important for intelligibility.
The second, introduced in 1983, added an on/off switch and a more powerful drive. The third, introduced in 1989, had improved sensitivity and faster attack. The EBow Plus, introduced in 1998, adds a blue LED and a switch to allow users to move between normal and harmonic modes (which sounds one octave higher). [4] It is powered by a nine-volt ...
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